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From Publishers Weekly
Starred Review. Multimedia pioneer Ana Mendieta (1948-1985) broke taboos and exploded the boundaries of fine art at every turn of her short career; sadly, her sudden death at 36 left her unorganized oeuvre in the hands of a distraught family and a few dedicated scholars. This book of previously unseen work, the result of years of research and cataloging by Mendieta authority Viso, is a must-have for fans. For those unfamiliar with her shocking and vibrant work, this is a fantastic introduction to Mendieta's demanding exploration of violence, the body, religion and the natural world. Characteristic, and perhaps the most disturbing, of her pieces, is Rape Scene, part of a series inspired by real events: "workshop participants invited to visit her apartment at a prearranged time... discovered her apartment door ajar. Inside the artist was posed silently, doubled over a table in a pool of blood with implements of violence scattered about." Working in public venues and frequently using her own body (or her blood) as a medium, Mendieta attempts to blaze a new path with every series of images: "My works do not belong to the modernist tradition... nor to the commercially historical-self-conscious assertions of what is called post-modernism." The accompanying text by Viso provides informative biographical information, as well as valuable interpretation and analysis.
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About the Author
OLGA VISO served as director of the Hirshhorn Museum and Sculpture Garden in Washington, D.C. before being named director of the Walker Art Center in Minneapolis in 2008. She is the author of several books on contemporary Latin American art. She lives in Minneapolis, MN.B
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